Than oars divide the ocean, too silver for a seam

Not one but two pieces this week, because they are so wonderfully done.
When Leslie Matthews stumbled upon a beautiful collection of 19th century Dutch clay pipe bowls, she was drawn to their small, delicate shape. Keeping them in mind, she created a whole series of silver forms. Their surface is embossed with Japanese rice paper to give them their fragile impression. Each form is inspired to complement the following one, as the two above show so well.
The title is a line from a poem by Emily Dickinson, who is a favorite of Leslie Matthews. She lives in Australia, so the sea is never far. I love how the forms are elongated by the waves of the silver necklace. And also how the color of the silver, reflects the different colors of the ocean, white for the foam of the waves, and black for its’ endless depth. On all these different levels,they really interact with each other! So for me, the work triggers an emotional response, which what Leslie Matthews is interested in.

Tools for beating

A ‘parure’ is a set of various items of matching jewelry. It is modular and can be disassembled into different parts. ‘Tools for beating’ is such a parure, made by American Seth Papac. It consists of 5 individual pieces that can be worn separately or all together in their tool bracket around the waist:

‘White knuckle’, a necklace, to me refers to boxing, a western fight sport. At the two ends of the necklace hang oval silver strips, possibly meant to harden the contestants’ hands.
‘Strike’, also a necklace, looks like a pair of nunchaku’s, used in eastern fighting. To stay true to the tools theme, they are made out of steel and wood.
The brooch ‘Club’, a very long, stiff square tube, when worn, starts beating by itself. This is also the case when is attached to the tool bracket.
‘Clench’, a ring, has to be clenched to be worn on the fingers, so the hand forms a fist (for beating).
The last part of this parure is the ‘Empty tool bracket’, which is not actually empty. The leather belt holds a very well made, smooth, spatula- like, wooden shape. Just like the brooch club, it starts beating when worn, but ‘gives’ a totally different, more gentle, kind of beating.

To have a jewel committed to beating is one thing, but 5, even though they can be assembled into one, is a bit much. But the way these pieces are made, with carefully chosen materials and incredible skill, pushes the violent nature of the work to the background. For example, the necklace ‘White knuckle’, consists of white tape, used to tie tight around the contestants’ hands, but it is tied together and carelessly draped around one’s neck. And the material of the top plate of the ring ‘Clench’, steel, could refer to real knuckledusters, or to actual tools. On top of that, its’ shape does not remind of fighting at all. This is obviously also the case with ‘Club’, the brooch.

On top of this, the artist states that this toolset is meant for beating, a fictitious job or ritual to deal with the metaphorical cleansing of his body and not someone else’s! So a very personal piece this week.

Lucky me got to experience this work in reality at Gallery Caroline Van Hoek (member of Klimt02). It is exhibited there, with 2 more parures, until October 24th.

Glow in the dark Hand Necklace

When design agency Mo Ka decided to turn some of their new white virtual world into reality by means of jewelry, they contacted my former classmates over at Atelier 11. This resulted in an incredible Glow in the dark collection! Every jewel has the Mo Ka logo, 2 purple pyramids, near the lock. That is also where the glow in the dark octahedron-shaped pendant comes from, a three-dimensional expression of that pyramid. The glowing part of the jewel is not made of plastic, but of a glow in the dark powder coated metal. This is why it has a nice weight when hanging on a silver chain. All the symbols used in the jewelry are inspired by the creativity displayed by Mo Ka. Like the hand in the Hand Necklace, since designing is still eventually realized by hands. Atelier 11 always makes fashionable and up-to-date jewelry and this is no exception. I particularly like the idea of having an extra hand on stand by, especially one that’s easy to find, even in the dark.

Until March 12th the jewelry is sold at a special pop-up store that Mo Ka has opened in Brussels, 124 Rue de Flandre. It is also available trough their webshop.