Finally a post to help y’all with your Christmas shopping for MEN! I think they deserve some jewelry-attention. Caroline van Hoek Gallery is currently hosting an exhibition devoted to cufflinks, traditionally worn by men. Again, I’ve chosen two works, this time by two different artists.
The first cufflinks are by Lisa Walker, and linked with nostalgia, since she has used ‘vintage’ playmobil parts for her contribution to the exhibit. I still remember from my own childhood, that all the boys in my class played with playmobil. Those boys have now grown up, and are probably the men that could use some cufflinks. By wearing these, they can keep their inner child alive.
A whole different kind of historical connection is found in the second pair of cufflinks of Willemijn de Greef. She has worked with the shape of ‘Zeeuwse’ buttons, a traditional kind of button from the South-West of the Netherlands. The buttons were used for all kinds of adornment, and were also worn by men as a sort of belt-buckle. This explains their size, the biggest half of the cufflink is as big as a medium sized adult hand. The form is hollow, so not as heavy as it looks. It is an invitation for men to wear a part of Dutch history in the shape of contemporary jewelry.
This exhibition is showcased on Klimt02.
Not one but two pieces this week, because they are so wonderfully done.
When Leslie Matthews stumbled upon a beautiful collection of 19th century Dutch clay pipe bowls, she was drawn to their small, delicate shape. Keeping them in mind, she created a whole series of silver forms. Their surface is embossed with Japanese rice paper to give them their fragile impression. Each form is inspired to complement the following one, as the two above show so well.
The title is a line from a poem by Emily Dickinson, who is a favorite of Leslie Matthews. She lives in Australia, so the sea is never far. I love how the forms are elongated by the waves of the silver necklace. And also how the color of the silver, reflects the different colors of the ocean, white for the foam of the waves, and black for its’ endless depth. On all these different levels,they really interact with each other! So for me, the work triggers an emotional response, which what Leslie Matthews is interested in.