Every once in a while something crosses my path that is interesting, but not strictly jewelry. That‘s the case with this piece ‘Panic’ by Sweden’s Anders Ljungberg. He is a silversmith who is interested is the relationship between a functional object and its’ user and their environment. His motto is: “We are defining objects, objects are defining us.” His particular interest is in handles, as they often are the link between object and user. Their position on the object dictates the way it is used.
Handles play a very important role in the work ‘Panic’ too. It exists of a silver jug and a table that have started living their own lives. This jug did not have handles, so it decided to cut off the legs of the table it is standing on and use them as a handle and a leg for itself. The jug has a solid base and a good chance of being held by its’ handle. But now, it has left the table leaning over to one side, causing danger of the jug sliding off!
I guess this is where Anders Ljungberg pictures the user coming to the rescue. Instead of the jug being there for the use of its’ owner, the owner/user has to be there to save the jug! I really like the way the piece demands interaction. The jug is clearly the starting point of this work, and mixes with the table in a funny way. Quite urgently, the potential user has to become part of the work. Panic all round!
This piece was one of many discussed in a talk held by Anders Ljungberg, which part of the symposium ‘Fine Silver: Lectures on Contemporary Metal’ at the PHL- University College in Hasselt, Belgium on the 29th of May. The lectures were held in context of the honorary doctorate that was awarded to Michael Rowe the day before!
(For the die-hard fans of this blog: What do you get when you have Alert and an Apocalyse: Panic! ☺)
This neckpiece sends out a warning, so we should have seen this before the previous post ‘What after the apocalypse?’ Its’ title ‘Alert 2010’ kind of gives it away, and the alarming orange color was probably the reason for that title. A great way of getting attention!
Although the individual pendants of the neckpiece may or may not be a recognizable object, it is the combination that bonds them. That is how artist Robin Quigley intended her piece to work. She carefully selected objects that work well together, despite their difference in value, shape or material. By lining them up, she gives them a solid structure. Some pendants got a coat of pigment to match the color, unifying even more. That way it is hard for me to imagine that they were once separate objects.
‘Alert 2010’ has ten pendants, which to me is a very special number right now. My eldest just turned ten, which means we have been a family for ONE whole beautiful decade!
The exhibition ‘Remains’ opens on the 20th of May at Gallery Loupe in Montclair, New Jersey, U.S.A.