Another neckpiece, and this time from, what I assume are, all new materials: silicon rubber, glass beads and linen thread. The combination of those three things does not look like what you might expect from them. The beads don’t seem to be threaded. The linen thread is wrapped around the silicon rubber instead of being covered by it! The result is a solid, organic piece with attention to detail.
An eruption seems to have happened, several craters can be be found on the surface. This is where the bare silicon is visible. The pinkish holes are surrounded by lots of tiny, bright yellow glass beads, packed together very tightly. Where the spread of yellow stops, the soft linen starts, calming the piece down and making it look more friendly. It ends with a loop on one side, and on the other side, a rounded and dented form in a brighter pink color, as if it could be the source, or start of something similar but new…. No matter what else my imagination can come up with, this beautiful neckpiece has clearly grown. It makes me think of internal body-parts, or something from the bottom of the sea, and somehow I even get weird flash-backs from the Avatar movie!
Emily Hunt included this work in her exhibition ‘Appendage*’, which I think is a great title since it refers to biology, a starting point for her pieces, as well as language. Appendage could also apply to jewelry on the body, although all the precious jewels, like the ones showcased in my vitrine, would be missed enormously!
The Appendage exhibition can be visit in gallery Metalab near Sydney in Australia, but hurry it is on until the 25th of February.
Exhibition is also showcased on Klimt02.
*Wikipedia: An appendage in the broadest sense is an additional or subsidiary part existing on, or added to, something which can generally still function if the appendage has never existed or is later provided or grown, or will still perform a primary function if the appendage is removed.